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Opus 17 preserves a plastic character: a music made of rough sonic phenomena
’ collective nouns
but still we continue to drift towards disaster
The book includes an introductory section by architect
Roger Miranda Navarro
She Threw the Rope & Pulled the Lake - Alina Asan & Anita Sezgener Fleur Jaeggy Opus 17 preserves a plasticsomething is not afraid of something Alina thought and spoke. Anita listened and drew. And so this weave of Alinas words and Anitas drawings came together. That Alina was two at the time, and Anita her mother, is relevant. Equally relevant is the plane of parity on which their everyday companionship unfolds. She Threw the Rope & Pulled the Lake is what happens when an adult listens to a child closely and takes her musings, observations, and inquiries
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