UNIQUELY AFRICAN?: AFRICAN CHRISTIAN IDENTITY FROM CULTURAL AND HISTORICAL PERSPECTIVES Social & Women's Studies the activist theater was still

the activist theater was still haunted by the dilemma that Fredric Jameson finds in Ngugi’s fictional works: the author’s passion for change which has not found its agents

In this context

segregation

the volume's eighty selections emphasize Ghana's enormous symbolic and pragmatic value to global relations

award-winning journalist Sylvia A

UNIQUELY AFRICAN?: AFRICAN CHRISTIAN IDENTITY FROM CULTURAL AND HISTORICAL PERSPECTIVES Social & Women's Studies the activist theater was stillThis volume is concerned with the problematic nature of African Christian identity. By adopting various cultural, historical, national, and educational perspectives, its contributors explore issues surrounding the nature of being Christian and at the same time fully African. They analyse constructs either created in the West, such as the concept of culture, or those imposed from the West, particularly education systems and national boundaries,